- Stay Tuned for CaribbeanTales 2013!
- Incubator
- Past Events
- 2012
- 2011
- CaribbeanTales @ Island Inn, Barbados
- Schedule
- Tickets & Registration
- Films
- A Hand Full of Dirt
- The Almighty Penis
- Cabbie Chronicles
- Causality
- Caribbean Skin, African Identity
- Au nom du père (In the Name of the Father)
- Children of God
- Conversation à une voix avec Max Cilla
- El Duque de la Bachata (The Duke of Bachata)
- DIG IT
- Dominion
- Haiti: One Day, One Destiny
- Hit Me with Music
- Jerk Chicken
- Keeping Up with the Joneses
- Mas Man
- Moloch Tropical
- Pan!
- Positive & Pregnant
- Quiet Desperation
- Run for the Dream: The Gail Devers Story
- Russ Henderson: The Pan Man
- Seventeen Colours and a Sitar
- THE SKIN: Behind the Scenes
- Sugar Pathways
- Trou d’air (Turbulence)
- Zora is My Name!
- Films by Day
- Opening Gala
- Incubator
- Symposium
- Workshops
- Educational Screenings
- Special Guest: Neema Barnette
- Sponsors
- New York Showcase 2011
- Toronto Showcase | Incubator
- CaribbeanTales @ Island Inn, Barbados
- 2010
- Best of CaribbeanTales Film Festival, Symposium, Marketplace
- Gala Launch
- Schedule
- Symposium
- Workshops
- Caribbean Film and Media Academy
- Barbados Film and Video Assocation
- Directing Master Class with International Filmmaker Julie Dash
- Music Video Workshop
- Script reading workshop "From Page to Screen"
- "Dialogue between Independent Producers & Broadcasters”
- Special Effects Workshop
- "Dialogue between Independent Producers & Broadcasters”
- Ultimax TV
- Marketplace
- Films
- Filmmakers
- Maria Govan
- Geoffrey Dunn
- Julie Dash
- Frances-Anne Solomon
- Mary Wells
- Lisa Wickham
- Powys Dewhurst
- Melissa Gomez
- Stephanie Black
- Elspeth Duncan
- Chris Laird
- Mariel Brown
- Yao Ramesar
- Camille Selvon Abrahams
- Linda Atkinson and Nick Doob
- Ras Kassa
- Charles Officer
- Jimmel Daniel
- Rommel Hall
- Michael Horne
- Franklyn “Chappie” St Juste
- Eddy Grant
- Oonya Kempadoo
- Karen Williams
- German Gruber Jr
- Adzil Stuart
- Patricia Mohammed
- Renee Pollonais
- Franklyn “Chappie” St Juste
- Schools Screenings
- Partners
- Participants
- CaribbeanTales Youth Film Festival
- CaribbeanTales @ NYU
- CTWD Launch in Barbados
- CT Annual Film Festival at Harbourfront
- CTWD International Launch and Market Development Program
- Best of CaribbeanTales Film Festival, Symposium, Marketplace
- 2009
- 2008
- 2007
- Launch of HeartBeat Series (November)
- CaribbeanTales Annual Film Festival
- Second Annual Film Festival
- Spotlight on Trinidad
- Trinidadian
- SCHEDULE AT A GLANCE
- Film Festival Update
- Julien “Lil X” Lutz
- Detailed Schedule
- Frances-Anne Solomon’s Award-Winning
- A Winter Tale @ The CaribbeanTales Film Festival
- Workshops on Caribbean Media
- Our Program
- Limin With Verlia in the African Diaspora
- FRIDAY @ The CaribbeanTales Film Festival
- Thank you from CaribbeanTales Film Festival
- 2006
- Distribution
- Media
- Newz
- Become A Sponsor
- About
Patricia Mohammed
An early award that changed the course of Professor Patricia Mohammed’s career was that of a Commonwealth Secretariat Fellowship in 1984 to work at the Institute of Development Studies at the University of Sussex with Professor Kate Young as Co-Director of an international women and development study course. In 1989 Professor Mohammed was funded by the Netherlands Government through the Women and Development Studies Project of the UWI on a scholarship that facilitated her PhD at the Institute of Social Studies in the Netherlands and allowed the time to develop theoretical strengths and incorporate the discipline of history into her research portfolio.
In 2001 the Third World Association of Students at Brown University, Rhode Island recognised Professor Mohammed as Caribbean Advocate of that year signalling that her work reached out to the youthful diasporic Caribbean population. The recognition of her peers at The University of the West Indies with the title of full Professor in 2005 marks a major achievement in the life of a scholar.
A Visiting Professorship at State University of New York at Albany (2007) was valuable for teaching and seeing the Caribbean again from a US-based perspective and thus lent new research insights into the study of Caribbean iconography in art, photography and increasingly film. The breakthrough that Professor Mohammed considers most valuable to date is the incorporation of a visual lens onto an existing textually based one in examining the subject of culture and identity.
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